offtrack
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https://jrfilipe.wixsite.com/offtrack
offtrack is a project by Rui Dias (music) and PlayBleu (video). Results from a personal artistic search for a personal language, that gathers influences by electronic, electroacoustic, experimental, ambient and minimalistic music, with a sonority that combines electronic sounds with acoustic sounds of amplified and processed objects. The combination with video, with a strong visual identity, unique for each piece, creates a contemplative experience, simultaneously evocative and abstract, narrative and timeless.
https://jrfilipe.wixsite.com/offtrack
offtrack is a project by Rui Dias (music) and PlayBleu (video). Results from a personal artistic search for a personal language, that gathers influences by electronic, electroacoustic, experimental, ambient and minimalistic music, with a sonority that combines electronic sounds with acoustic sounds of amplified and processed objects. The combination with video, with a strong visual identity, unique for each piece, creates a contemplative experience, simultaneously evocative and abstract, narrative and timeless.
GAME STRUCTURES AND SITUATIONS # 60S
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GAME STRUCTURES AND SITUATIONS
Country: Portugal
2018
Director: Cristina Mendanha & Play Bleu
Choreographer: Cristina Mendanha
Performers: Grabriela Brarros & David Ramalho
Composer: Rui Dias
Music and sound design: Rui Dias
Other principal crerw: Ricardo Pistola [I2ADS - Faculdade de Belas Artes Universidade do Porto] Viarco graphite paste material.
Production company: Arte Total
The
project aims to investigate the writing as part of the creative
thinking of the dance, in site specific contexts and it was developed
around two central axes, namely: on the one hand, analyzing and
reflecting on the way how the know of the writing can interfere in the
creative processes in dance and on the other hand, experiencing the
dificulty of the translation of the act of choreographic creation into
another language, allowing to read on the layers of a 'phármakonised'
body the duplicity of meaning, the ambiguity and the possibility of
generating a body written in itself, or in other words: "(...) . instead
of something distinguished from something else, imagine something which
distinguishes itself – and yet ... though it were distinguishing itself
from that which does not distinguish itself from it"(Deleuze .1968, p.
81) - medicine and poison.
LIQUID DANCE
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LIQUID DANCE
Country: Portugal
2018
Director: Play Bleu
Choreographer: Maria Ines Villasmil
Performers: Alexandra Fernandes/Gabriela Barros/Carolina Vieira/Leonardo Ramalho/Barbara Oliveira/Catarina Neves/Ines Sousa
Composer: Rui Dias
Music and sound design: Rui Dias
Other principal crerw: Art Director-Cristina Mendanha
Production company: Arte Total
What
does mean for us as movers and dancer practitioners to live in a social
environment that is constantly changing and is becoming less certain?
In other words, what does mean for us as human beings and dance
practitioners to be confronted by living in a “liquid society” a term
created by sociologist Zygmunt Bauman and main stimulus to this
proposal. The concept of “liquid life” developed by Bauman is the
inspiration to develop a proposal that will have as a main interest the
creation of a space in which a collective of dancers will explore some
of the elements implied in the times we are facing and the consequences
of living in a modern society. In this order of ideas, I ask myself how
is this “liquidity” present in our lives and dance practices. How we
manage to constantly shift and reshape our believes and as a consequence
our body practices?
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